Art of Japan and Soga Shōhaku (1730-1781): The Muromachi Period (1336-1573) Lee Jay Walker Modern Tokyo Times Soga Shōhaku (1730-1781) is a very intriguing artist because he wasn’t conventional. Equally important, Shōhaku did not follow the artistic trends of the Tokugawa Period. Instead, he was adamant that his artistic soul should dictate the style he…
Japan art and Confucianism: The Bleak reality of Seppuku for a thoughtful artist Lee Jay Walker Modern Tokyo Times The artist Watanabe Kazan (1793-1841) highlights the fact that social mobility could break the alleged stratification of old Japan. After all, he was born into a samurai family that was relatively poor. Despite this, Watanabe paid…
Soga Shōhaku went against the grain in the eighteenth century: Art of the Muromachi Period Lee Jay Walker Modern Tokyo Times The Japanese artist Soga Shōhaku (1730-1781) went against the grain in the eighteenth century because he was greatly influenced by the Muromachi Period. This period, dated 1336 to 1573, but officially coming into existence…
Contemporary Japanese Art and Shintoism: The spirit of Sawako Utsumi and the Kano School Lee Jay Walker Modern Tokyo Times Sawako Utsumi is a contemporary Japanese artist who hails from the land of the rising sun. In this art article, the emphasis is on the individualism of Utsumi who is paying utmost respect to two…
Soga Shōhaku (1730-1781) and Japanese art: Richness of the Muromachi Period (1336-1573) Lee Jay Walker Modern Tokyo Times Soga Shōhaku (1730-1781) is a very intriguing artist because he wasn’t conventional. Equally important, Shōhaku did not follow the artistic trends of the Tokugawa Period. Instead, he was adamant that his artistic soul should dictate the style…
Watanabe Kazan and Japan Art: Ideals of Confucianism to bleakness of Seppuku Lee Jay Walker Modern Tokyo Times The artist Watanabe Kazan (1793-1841) highlights the fact that social mobility could break the alleged stratification of old Japan. After all, he was born into a samurai family that was relatively poor. Despite this, Watanabe paid a…
Art of Japan and Soga Shōhaku (1730-1781): Deep admiration of the Muromachi Period (1336-1573) Lee Jay Walker Modern Tokyo Times Soga Shōhaku (1730-1781) is a very intriguing artist because he wasn’t conventional. Equally important, Shōhaku did not follow the artistic trends of the Tokugawa Period. Instead, he was adamant that his artistic soul should dictate…
Contemporary Japanese Artist inspired by the Kano School: Shinto Priest and Adorable Landscape Lee Jay Walker Modern Tokyo Times The Kano School of Art is extremely renown for its deep roots that began in the later parts of the 15th century, to the ultimate demise of this art form when modernization altered the landscape of…
Modern Japanese Artist: The Fading Spirit of Kano Chikanobu Awakened by Shintoism Lee Jay Walker Modern Tokyo Times The contemporary Japanese artist Sawako Utsumi in her latest art piece titled The Fading Spirit of Kano Chikanobu Awakened by Shintoism, provides an adorable individual approach. This applies to a fusion of homage to Kano Chikanobu (1660-1728)…
Contemporary Japanese Artist and Shintoism: Kano School and Independent Spirit of Sawako Utsumi Lee Jay Walker Modern Tokyo Times Sawako Utsumi is a contemporary Japanese artist who hails from the land of the rising sun. In this art article, the emphasis is on the individualism of Utsumi who is paying utmost respect to two artists…
Japan Art and Watanabe Kazan: Artist, Ideals of Confucianism, the State Apparatus, and Seppuku Lee Jay Walker Modern Tokyo Times The artist Watanabe Kazan (1793-1841) highlights the fact that social mobility could break the alleged stratification of old Japan. After all, he was born into a samurai family that was relatively poor. Despite this, Watanabe…
Contemporary Japanese Artist: The Fading Spirit of Kano Chikanobu Awakened by Shintoism Lee Jay Walker Modern Tokyo Times The contemporary Japanese artist Sawako Utsumi in her latest art piece titled The Fading Spirit of Kano Chikanobu Awakened by Shintoism, provides an adorable individual approach. This applies to a fusion of homage to Kano Chikanobu (1660-1728)…
