Tag: Japanese art and culture
Japan art and Matsubayashi Keigetsu: Influence of China
Japan art and Takahashi Shotei (1871-1945)
Soami and Japanese art: Middle Kingdom of China
Japan art and Ikeda Koson: Solace of nature
Japan art and Hashimoto Kansetsu: Impact of Chinese culture
Japan art and Soami: Buddhism, China, and landscapes
Japan art and Ikeda Koson: Edo artist
Art of Japan and holy Buddhist warrior of the twelfth century
Japan art and Goshun: Flow of Buddhism, China, Confucianism, and Kansai
Japan art and the Edo artist Katsukawa Shunzan
Japan art and Takahashi Shōtei: Beauty of snow
Japan at and Yoshida Hiroshi (1876-1950): Lover of nature
Japan art and Hokusai: Mount Fuji and the working-class
Japan art and the last Meiji ukiyo-e flourish
Japan art and Takeshiro Kanokogi: A world turned upside down
Japan art and Sakai Dōitsu (1845-1913): Mount Fuji
Art of Japan and Ikeda Koson: Hinoki Cypresses
Art of Japan and the Middle Kingdom (China): Buddhism, Confucianism, and other ideas
Japan art and continuity despite rapid political changes: Sakai Dōitsu (1845-1913)
Japanese art and never-never land
Art of Japan: A flower cut down before full bloom
Rinpa art: The bridge of Edo and Meiji on his artistic soul
Japan Art: Cut down before his artistic prime of life
Rinpa art and freestyle: Nineteenth-century Japanese artist
Art of Japan during the last years of Edo
Japanese art, the impact of Paris, and the shadow of war: Kanokogi
Japan art and Sakai Dōitsu: His heart belonged to the old world
Zen Buddhist art of Japan: Hakuin Ekaku and teacher of all
Japan art and Goshun (1752-1811): The richness of Chinese and Japanese high culture
Japanese art and Suzuki Reitan (1792-1817): Early death before full bloom
Japan art and Kamisaka Sekka (1866-1942): A delightful dream world
Japan art and Sakai Dōitsu (1845-1913): The richness of rinpa art
Japanese art and Suzuki Kiitsu (1796-1858): Late Edo artist of Rinpa
The influence of France on the Meiji born Japanese artist
Japanese art and Torii Kiyonaga (1752-1815)
Art of Japan and the entangled state
Art and Buddhism crossing from the Middle Kingdom to the Land of the Rising Sun
A Japanese artist who bridged the pre-Edo and start of the Edo Period
Buddhism and Japan Art: The influence of the Middle Kingdom
Japanese art through the lens of familiarity but in a changed entangled state
Sōami and art of Japan: Aesthetics, Buddhism, and the Middle Kingdom
Art of Japan in the sixteenth century and the sword and the brushstroke
Japanese art and power concentration: Kano Sanraku (1559-1635)
Art of Tokiwa Mitsunaga and the backdrop of political intrigues in twelfth-century Japan
Kano Michinobu (1730-1790) and Japanese art
Matsumura Goshun and Japan art: The shadow of death and influence of Yosa Buson
Japan poetry and the female poet Komachi: Heartfelt passion from the distant past
Ito Shinsui and Japanese art: Poverty to continuity
Kano Sanraku (1559-1635) and art of Japan: The world of power concentration
Kanae Yamamoto and Japan art: Economic perils of his early life (Part One)
Takeshiro Kanokogi and art of Japan: The influence of France
Japan art and Confucianism: The Bleak reality of Seppuku for a thoughtful artist
Zen Buddhism and Japanese Art: Taking Rinzai Buddhism to the rural poor
Japanese art, Goshun, and the influence of Buson: The artistic heaven on earth
Buddhist art and the Japanese priest Mokuan Reien: The Middle Kingdom and Mu Qi
Art of Buddhism in China and Japan: The shadow of Liang K’ai (1140-1210) on Kaihō Yūshō (1533-1615)
The richness of Japanese art during the warring times: Kano Eitoku (1543-1590)
Art of Japan and Kano Michinobu (1730-1790)
Kano Sanraku (1559-1635) and Japanese art: Centralization and continuity
Art of Japan and the two paths of Buddhism and Shintoism: Faith in the snow without Abraham
Art of Japan and Kiyoo: Social and political convulsions but artistic continuity
Japan art of the twelfth century: Annual rites and ceremonies
Japanese art and Takeshiro Kanokogi: Influence of Jean-Paul Laurens and Emile-Rene Menard
Art of Japan and Matsumura Goshun: Impact of high culture, Yosa Buson, and the shadow of death
Art of Zen Buddhism in Japan: Hakuin Ekaku
Yokoyama Taikan and art of Japan: Creativity and the sentiments of the time
Mountains of Japan in art: Spirituality of Buddhism and Shintoism in a natural landscape
Art of Japan and a famous Buddhist Warrior of the twelfth century
Japan art and the paths of Shintoism and Buddhism: Holy men in the snow without Abraham
Buddhist art from China and Japan: Kaihō Yūshō (1533-1615) and the shadow of Liang K’ai (1140-1210)
Art of Japan and Sekka: Tranquility despite upheavals
Kanae Yamamoto (Part Two) and art of Japan: Europe and Socialism
Japanese art and Kawamura Kiyoo (1852-1934): Changing times but sublime continuity
Japanese Art and Kano Michinobu (1730-1790)
Kano Eitoku (1543-1590) and richness of Japanese art despite the warring times
Shini-e and Art of Japan: “I leave my brush in the East”
Japanese Art and Kano Sanraku (1559-1635): Centralization and continuity
Spice of Ukiyo-e and Art of Japan: Kami of Shinto and Mountains in Blue
Watanabe Kazan and Japan Art: Ideals of Confucianism to bleakness of Seppuku
Japanese Art, Pythagoras, and Plotinus: Ideas from Simplicity
Famous Japanese Buddhist Warrior of the Twelfth Century and Japanese Art: Rich Legacy of Benkei
Japanese Art and the two paths of Buddhism and Shintoism: Faith in the Snow without Abraham
Katsukawa Shunshō and Japanese Art (1726-1793): Major Influence in the Edo Period
Japanese Art and Fusions of Sekka: Nightfall and the Allure of Buddhist Monks and Shintoism
Yorozu Tetsugoro and Japanese Art: independent artistic soul
Tokiwa Mitsunaga and Art in Twelfth Century Japan: High Culture of A Clouded Sky
Art of Japan: Kanae Yamamoto Overcame Economic Adversity (Part
Zen Buddhism and Japanese Art: the Inspirational Life of Hakuin Ekaku
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